Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →A Kontakt instrument built from struck and bowed metal - ethereal textures and tonal percussion, with a Forge morph knob for blending presets.
Read →Some Ableton effects have no dry/wet control. Here's how to build one with an audio effect rack, two chains and a mapped macro knob.
Read →Side-chaining in Ableton beyond the usual compressor: what the gate and auto filter do, and how fast they bring an idea to life.
Read →A Logic user's take on learning Ableton Live - why it gets results faster, and how the two work together when rewired.
Read →Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
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